This site is a collection and remembrance of the people, both the living and the long-departed, who contributed or are contributing to the Automatic Music industry and its musical pleasure.  Some rogues and villains appear here, too!  Names marked with the asterisk (*) have been selected by MMD for special recognition because of their significant impact upon the industry.

Please contact MMD <editor@foxtail.com> if you can help write short biographies of these people.

During the Heyday:
    Industrialists & Marketeers
        J. P. Seeburg
      *Farny Wurlitzer
        Ignatz Blasius Bruder (Waldkirch Organ Industry)
        Ludwig Hupfeld
      *Edwin Welte
        Poppers
        ? (Aeolian Piano Co.)
        ? (American Piano Co.)
        George W. Giddens (Welte in USA)
    Inventors & Engineers
      *Carl Frei (Dutch Street Organ)
      *Edwin Welte (Welte-Mignon)
        R. F. Stoddard (Amphion & Ampico)
        Clarence Hickman (Ampico)
        Hobart M. Cable (Operator's)
        Melville Clark
    Noteurs & Arrangers (& a few composers)
     * Max Kortlander (QRS/Imperial)
      *Otto Bruder
      *Carl Frei
      *J. Lawrence Cook (QRS/Imperial)
      *Rudy Erlebach ("ROE") (?)
        Mae Brown (U. S. Music?)
        Herman Avery Wade (U. S. Music ?)
        Heinrich "Henry" Burkhard (Welte, New York)
        J. Russel Robinson (QRS)
        James P. Johnson (QRS)
        Eubie Blake (various)

In recent times:
    Restorers
        Larry Givens (music roll copying and production)
        Art Reblitz  (nickelodeons & orchestrions)
        Joe Roesch  (music boxes)
        Nancy Fratti  (music boxes)
        Robin Biggins  (music boxes)
        Ed Freyer (music roll copying and production)
    Writers & Publishers
      *Harvey Roehl
      *Q. David Bowers
        Terry Hathaway
        Larry Givens
        Dick Bueschel
        Matthew Caulfield
        Hans-W. Schmitz
        Charles Davis Smith
    Dealers & Collectors & Museums
        Hathaway & Bowers
        G. W. McKinnon
        Svoboda's Tavern
        Bellm's Museum
        Musical Museum of Deansboro, New York
        Siegfried Wendel
        Don Rand & Ed Openshaw
        Otto Carlsen
        A. C. Raney (Whittier, CA)
        Jasper Sanfilippo

Justis P. Seeburg -- Built the Seeburg company from a modest beginning in 1907.  At least a part of Seeburg's success was due to its standardization of models and the rolls which they used.  While most other firms changed designs and styles practically every year or two, J. P. Seeburg offered essentially the same models year after year.  Seeburg pioneered the use of the "A" roll which later became the industry standard and weas used by dozens of other firms.  The Seeburg "G" roll was likewise an industry standard.  In the 1920s Seeburg purchased the Western Electric Piano Company and secretly operated it to provide sales competition to the Seeburg line.

Max Kortlander - The arranger who created and virtually defined the solo piano sound of the 1920s which everyone today recognises as "piano roll style".   He joined QRS as a lad and rose quickly to become the chief of the recording department.  He purchased the assetts of the company when QRS went bankrupt in 1930 and formed his own firm, Imperial Music Industries, which continued business until the 1970s when it was purchased by Ramsi Tick and incorporated as QRS Music.

Edwin Welte (1876-1958) and his brother-in-law, Karl Bockish, developed the Welte-Mignon reproducing piano in 1904 for M. Welte & Soehne of Freiburg, Germany. Music roll recording commenced in 1905.  The recording piano and the reproducing system were entirely new inventions which astounded the musicians and fans in Europe.  In 1906 (?) he established "The Welte Artistic Player Piano Company" in a showroom in New York and soon was producing pianos and music rolls for American customers.

In recent times: Ed Freyer -- In the early 1960s Ed Freyer, of Flemington, New Jersey, rebuilt a few Link orchestrions and placed them on location.  It wasn't long before the old music rolls wore out and became unplayable so he rebuilt an old Acme perforater and made a roll copying machine.  His first batch of recuts were of Link rolls provided by collector Murray Clark, then Harvey Roehl convinced Ed to expand to recutting style A and G rolls.  This photo by Harvey Roehl was reproduced on page 209 in the book Put Another Nickle In, by Q. David Bowers, ©1966 by The Vestal Press, with the caption: "Ed provides collectors all over the country with quality recuts of A, G and Link rolls."