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MMD > Archives > August 2019 > 2019.08.25 > 03Prev  Next


Welte-Mignon (Licensee) Recording Process
By Spencer Chase

I am not an expert on expression coding but I have done a fair
amount of thinking about this topic and I tend to agree with
Bob Taylor's assessment.  The Welte system uses only two speeds
of crescendo/decrescendo.

It seems completely impossible that any system, whether based on
pneumatic or electrical logic, could convert note intensities to
expression coding in such a short period of time that a roll with
expression could be produced in an hour.

Even the analysis of a simple crescendo and conversion to
appropriately timed codes using a series of note intensities would
be difficult (more likely impossible) with technology of the day.
More difficult encoding would be completely impossible.

Modern computers could probably do a passable job but a good job
would likely require additional hand editing.  It is conceivable
that note intensity could be recorded by a variety of methods and
this information used together with sheet music and observation
during the performance could be used in the editing process.

Spencer Chase


(Message sent Sun 25 Aug 2019, 07:03:51 GMT, from time zone GMT-0700.)

Key Words in Subject:  Licensee, Process, Recording, Welte-Mignon

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