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Andy Park's Essay "The Shock Absorber"
By George Karpel

I wish to comment on Ingmar Krause's posting [171102 MMD].  I can
relate to what he said.  I'm familiar with both band organs and player
pianos.  I know first hand how tunes with too many notes in the
arrangement can cause the organ to go "wow wow wow", instead of the
organ playing all the notes cleanly.

I have seen this happen on some of our rolls played on the Wurlitzer
146B at the Burnaby Village Carousel.  An example of this would be when
I put on classical rolls that have many notes playing at the same time.
When I turn off the trumpet pipes, the notes then play cleanly.

Similarly, when I play an ordinary 88-note roll on my Recordo player
piano using the electric motor, the vacuum [flow] cannot handle playing
arrangements with many notes.  But as soon as I switch to using the
foot pedals, I am able to pump hard enough for all the notes to play.

I agree with Ingmar that arrangers must be aware of this problem and
know the capabilities of the instrument whether it be band organs or
player pianos.

George Karpel


(Message sent Fri 3 Nov 2017, 15:23:08 GMT, from time zone GMT-0700.)

Key Words in Subject:  Absorber, Andy, Essay, Park's, Shock

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