Mechanical Music Digest  Archives
You Are Not Logged In Login/Get New Account
Please Log In. Accounts are free!
Logged In users are granted additional features including a more current version of the Archives and a simplified process for submitting articles.
Home Archives Calendar Gallery Store Links Info

End-of-Year Fundraising Drive In Progress. Please visit our home page to see this and other announcements: https://www.mmdigest.com     Thank you. --Jody

MMD > Archives > May 2010 > 2010.05.03 > 04Prev  Next


Transposing Duo-Art Pianos in Australia
By Paul Rumpf

There seems to be some variation in Duo-Art pianos in Australia.
Can I throw something into the mix?

1. There may well have been USA manufactured Duo-Art pianos in
Australia.

2. There were also very many _English_ Duo-Arts imported into
Australia because, at the time, Australia was indeed a member of
the British Commonwealth and national feeling was very much inclined
towards 'Mother England'.

3. In his book, Art Reblitz, on page 174, refers to Aeolian deciding
to cease fitting pneumatics to 1-4 and 85-88 in Duo-Art pianos and thus
were able to save on manufacturing costs.  It is conceivable that this
philosophy spread to England.

4. I have an English Steck foot-pumped upright Half Duo-Art.  It has
two sets of 4-function cutout pouches.  It has a transposing bar in
the air lines between the tracker bar and the stack.  All 88 notes go
through the transposer.  It also has the device known as the 'Temponamic
Lever'.  (This single control knob combines Tempo adjustment and
Accompaniment loudness by rotating the knob.)

I have never played a Duo-Art roll with the transposer out of its
'correct' position.  To me the transposer is an unwieldy and difficult
to move contraption that is fairly useless.  I resurfaced the surfaces
only to maintain the completeness of the piano.

5. The Steck Half Duo-Art piano plays full scale 88-note rolls, Duo-Art
rolls and Themodist rolls.

6. The cutout pouches are mounted as described by Bernt Damm.

7. I find the cutout pouches work well and have not been dismantled.
As part of a project to play Ampico rolls on my Recordo, I have
fabricated a set of cutout pouches and they work well.  A high degree
of surface flatness is required.

8. If the transposer tubing is tied off this would probably be because
the stack has a full complement of 88 pneumatics.

7. My feeling is, given that Bernt's machine has the 88 notes, then
fabricate a set of cutout pouches and put the piano back as it was.

8. Aeolian must have had a reasonable operation in Australia.  Only
recently I came across a 'Stroud' foot pumper and the name on the iron
frame said "Aeolian - Australia".  There was a piano factory in Australia
until only recently -- Wertheim.  I have no doubt that piano frames
were cast in this country.

Greetings to all from Melbourne, Australia.

Paul Rumpf


(Message sent Mon 3 May 2010, 12:07:31 GMT, from time zone GMT-0700.)

Key Words in Subject:  Australia, Duo-Art, Pianos, Transposing

Home    Archives    Calendar    Gallery    Store    Links    Info   


Enter text below to search the MMD Website with Google



CONTACT FORM: Click HERE to write to the editor, or to post a message about Mechanical Musical Instruments to the MMD

Unless otherwise noted, all opinions are those of the individual authors and may not represent those of the editors. Compilation copyright 1995-2024 by Jody Kravitz.

Please read our Republication Policy before copying information from or creating links to this web site.

Click HERE to contact the webmaster regarding problems with the website.

Please support publication of the MMD by donating online

Please Support Publication of the MMD with your Generous Donation

Pay via PayPal

No PayPal account required

                                     
Translate This Page