I'm certainly not advocating taking "the hammers off" so as to only
see the mechanism of a player piano. (That would make it an incomplete
mechanism anyway <grin>.) But I think it would also be a mistake to play
the music without exposing or promoting the understanding (at whatever
level) of the instrument. In my eyes, it's of course a partnership
between music and mechanism. And I certainly have an "underlying
interest in the music", although I can't say that about everyone who
visits. (An extreme example is the woman who watched a presentation,
then asked to bring her husband whom she was sure would enjoy the
"machines". He did.)
I think part of the example about my player piano may have been missed.
Those playing and observing were not "non-keyboard-players", but varied
musicians. I'll see them again come Christmas, so perhaps I'll take an
informal survey. But I have a feeling that even a CD player would have
made better "music" than that piano -- should I have kept it off-limits
until it's final restoration? But it will never be better musically
than a modern solenoid piano -- perhaps I should abandon the project
altogether!
I admit to being less concerned with emulating "what the instrument was
meant to do" (what their makers "thought") in presentation. (And I can
show plenty of organette advertising that was simply false -- I doubt
that some companies cared about the music at all.) I simply don't
think that environment still exists! (Although we did purchase an
1870's home to help display our organettes, which are primarily "home"
instruments.) I have many properly restored organettes which "at their
best" will never compete with today's technology. Where would they
even be listened to in today's lifestyle? I collect antiques, and my
primary interest is the instruments. My bad.
I don't want to be "contentious" about this, so will probably "shut up"
on this topic for a while. Anyway, it's probably best that there are
a _variety_ of approaches to collecting mechanical music. And I applaud
those who have instruments which are able to produce high-quality
music. I just don't want MMD to belittle collectors (or collections)
highlighting the "mechanical" nature of mechanical music. There's room
for both.
Todd Augsburger
todd@rollerorgans.com
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