Mechanical Music Digest  Archives
You Are Not Logged In Login/Get New Account
Please Log In. Accounts are free!
Logged In users are granted additional features including a more current version of the Archives and a simplified process for submitting articles.
Home Archives Calendar Gallery Store Links Info

End-of-Year Fundraising Drive In Progress. Please visit our home page to see this and other announcements: https://www.mmdigest.com     Thank you. --Jody

MMD > Archives > July 2005 > 2005.07.04 > 03Prev  Next


Pouch Leather As Duo-Art Gasket Material
By Julian Dyer

Some time ago I rebuilt a 65-note Pianola pushup, built circa 1901,
of the original design with pneumatics mounted vertically.  This had
the pneumatics glued directly to the boards, but the pneumatic boards
themselves were screwed and gasketed to the base board containing the
windways.  I'm sure I've been told that the even-earlier instruments
were totally glued together.

I am currently rebuilding the stack of my 65-88 note Gotha Steck
Pianola grand.  This is obviously a very early design of grand stack,
and indeed I have found imprinted in the varnish of one part of its
innards newsprint saying (in mirror image) that "everything must be
sold by December 1908", priced in dollars, which fairly firmly dates
and places its construction!  (The extended-case grand, and the 88-note
scale, were both 1908 introductions for Aeolian.)  This stack has never
been rebuilt, indeed has probably never even been dismantled, and its
pneumatics are glued on with pouch leather intermediates.  They are
still firmly mounted but come off easily and cleanly.  Incidentally,
the rubber cloth is still in beautiful supple condition, and has only
given way on the middle notes thanks to sheer wear.  Built-in
obsolescence was not an Aeolian trait!

With regards to whether Aeolian's intention was serviceability, it only
takes a fairly cursory comparison of stack and piano serial numbers in
the UK to spot that they don't line up particularly well.  Some of this
is probably due to batch-production where completed parts sat on the
shelf for some time before use, and some is due to later completion of
German pianos left unfinished during WW1 - this work was primarily done
to research Gotha Steck production.  It's obvious that some pianos have
newer stacks than they ought to, but frequently much older wind motors.

I think that interviews with Aeolian employees established that the
policy when something failed was to replace it with one from the factory
(from the batch sitting on the shelf).  The original parts were returned,
and it's clear that at least wind motors were refurbished and used in
new installations.  So, some consideration was made of serviceability,
but whether this extended to rebuilding stacks has to be a moot point.

Julian Dyer


(Message sent Tue 5 Jul 2005, 01:38:26 GMT, from time zone GMT+0100.)

Key Words in Subject:  As, Duo-Art, Gasket, Leather, Material, Pouch

Home    Archives    Calendar    Gallery    Store    Links    Info   


Enter text below to search the MMD Website with Google



CONTACT FORM: Click HERE to write to the editor, or to post a message about Mechanical Musical Instruments to the MMD

Unless otherwise noted, all opinions are those of the individual authors and may not represent those of the editors. Compilation copyright 1995-2024 by Jody Kravitz.

Please read our Republication Policy before copying information from or creating links to this web site.

Click HERE to contact the webmaster regarding problems with the website.

Please support publication of the MMD by donating online

Please Support Publication of the MMD with your Generous Donation

Pay via PayPal

No PayPal account required

                                     
Translate This Page