This article presents Werckmeister temperament viewed by fifths instead
of in chromatic order. Refer to the previous article by Hans van Oost,
"Werckmeister Tuning for Wilhelm Bruder Organ", in 010222 MMDigest.
The principle of the Werckmeister tuning is the division of the
Pythagoraic comma (24 cents) into four 5th intervals, placing these
narrowed fifths between C-G-D-A and B-F#. The Werckmeister fifth has
an interval of 1.49492696 approximately, whereas the frequency ratio
of the "just" (zero beat) fifth is exactly 1.5.
Based upon the modern standard pitch A=440 Hz and tuning the tenor
notes by fifths, from MIDI 48 (C) to 59 (B), these frequencies result:
48 C 131.7021 Hz
w 55 G 196.8850
w 50 D 147.1644
w 57 A 220.0000
52 E 165.0000
59 B 247.5000
w 54 F# 184.9972
49 C# 138.7479
56 G# 208.1219
51 D# 156.0914
58 A# 234.1371
53 F 175.6028
The frequency ratios of some common major chords are
F-major C-major G-major D-major
fifth C 1.5 G 1.4949 D 1.4949 A 1.4949
third A 1.2528 E 1.2528 B 1.2571 F# 1.2579
root F 1 C 1 G 1 D 1
The frequency ratios of some common minor chords are
D-minor A-minor E-minor
fifth A 1.4949 E 1.5000 B 1.5000
third F 1.1932 C 1.1973 G 1.1932
root D 1 A 1 E 1
In comparison, "just" triads with zero beats would be in ratios
major minor
fifth 1.5000 1.5000
third 1.2500 1.2000
root 1 1
If tuned with equal temperament, like a piano, then
major minor
fifth 1.4983 1.4983
third 1.2599 1.1892
root 1 1
Summary: In comparison with equal temperament tuning, the Werckmeister
temperament gives a noticeably better approximation to the major and
minor thirds which predominate in most songs, and therefore it is
better suited for instruments which play songs in the key of C or
related keys. The Werckmeister temperament was used by many firms in
Waldkirch 80 to 100 years ago, and it is most likely the temperament
used for band organs built in America in the same years.
Robbie Rhodes
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