Ed Chaban wrote in MMDigest 971008:
> The conversions of the reproducing rolls are interesting, but the
> "restoration" nonsense around the use of the Disklavier does us all a
> disfavor. The "Vorsetzer in front of a Disklavier" recordings are --
> quite simply -- horrible, and not musical at all.
>
> I still find whole affair distasteful. Thankfully, I'm not alone. The
> latest AMICA Bulletin has a wonderful reprint of a review of Wodehouse'
> Jelly Roll Morton project. It gets two thumbs DOWN!
I haven't had the chance to read every Digest in recent weeks, but the
subject here caught my eye. I'm afraid I couldn't let this one by
without commenting.
I would have to totally disagree with what Ed is saying here. I have
heard Dennis Condon's Ampico Vorsetzer play his 7'4" Yamaha Disklavier,
and then instantly play back the recording, with outstanding results.
In fact, to the majority of music lovers, the difference is nil, or maybe
only that the Yamaha didn't play quite as softly. Possibly, Ed, you
haven't heard a good one!
I, for one, would certainly love to have a combination of a Vorsetzer and
a Disklavier in my collection.
Michael Waters
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