Sample Specification for Music Book
By Robbie Rhodes
Bob Ebert asked about the tracker bar channel assignments for WurliTzer band organs (digest 950826).
I recently compiled full specifications for several book music organs which include everything that I need to
(1) arrange music for the machine, and (2) print a template of the music (using Jody's template program)
suitable for punching. This sample Specification file is quite representative of a Dutch street organ machine, since the builder, Frederic Keller, is a disciple of the German/Dutch master, Carl Frei. One of Keller's new organs, named "Puppchen", now performs outside the Children's Museum in Hamburg, Germany.
A complete description of a roll-operated band organ would look something like this book-music Specification.
file: Keller47.txt revised: 94.12.13, re pneumatic reader.
COMPILER: Robbie Rhodes, December 1994 DATA SOURCE: Product Specification, Orgelbau Keller, 1992, and correspondence.
BUILDER: Frederic Keller, 91462 Dachsberg-Finsterlingen, Germany STYLE: Medium size concert organ with 47-keys POWER: Hand-cranked or electric motor
SIZE: Case: 175 cm high, 140 cm wide, 75 cm deep Additional side panels or consoles for drums. Total quantity of pipes: 176 Largest pipe circa 173 cm.
PLAYER SYSTEM: speed of medium: 5.5 cm per second reader: pneumatic, rectangular hole, hole height = 1.20 mm. medium: punched cardboard book, round hole diameter = 0.70 mm. width of medium: 32.43 cm (51-key format) distance, bass edge to center of first key channel: 0.34874 cm channel spacing: 0.34874 cm per key (43 keys in 15 cm) total quantity of active channels: 47 divisions and quantity of channels in division: bass section, 8 keys accompaniment section, 10 keys melody section, 20 keys counter-melody section, 0 keys percussion section, 4 keys controls section, 5 keys
CHANNEL ASSIGNMENT - channel (key) number, assignment
channel: 1 2 3 4 5 6 7 8 BASS: G . A B H C . D . E F .
channel: 9 10 11 12 13 14 15 16 17 18 ACCOMP G . A B H C C# D . E F F#
channel: 19 20 21 22 23 24 25 26 27 28 29 30 MELODY G G# A B H C C# D D# E F F#
channel: 31 32 33 34 35 36 37 38 MELODY G G# A B H C . D . E
channel: PERC. & CONTROLS:
39 J kapellmeister (no sound) 40 K snare drum, beater #1 41 L snare drum, beater #2 42 M bass drum
43 N Vio Violin = open violin double + single gedeckt 44 P Bor Bourdon = gedeckt double with one rank detuned 45 R Car Carillon = open octave + single gedeckt 46 S ViC Violin Celeste = open triple with one rank detuned 47 T Dec Declenche (cancel) = muted + gedeckt solo (fundamental registration)
PITCH TRANSPOSED: "Middle C" will sound as E-flat above (as in Gavioli)
DESCRIPTION OF RANKS, percussion and controls/stops: N.B.: German nomenclature "A-B-H-C" used throughout. division name, quantity of keys & total quantity of pipes in division quantity of pipes in rank, range of rank rank name, range [..] ("non-transposed"), true pitch of longest pipe, air column length
name, true sound pitch of longest pipe in the rank, air column length.
BASS 8 keys [G..F] 16 pipes-- 8 gedeckt contra [F..E] G#0 = 51.9 Hz (164.2 cm - stopped) 8 gedeckt octave [F..E] G#1 = 103.8 Hz ( 82.1 cm - stopped) ACCOMP 10 keys [G..F#] 40 pipes-- 10 gedeckt [G..F#] B2 = 233 Hz ( 36.6 cm - stopped) 10 gedeckt, detuned [G..F#] B2 = 233 Hz ~ 10 open cello [G..F#] B2 = 233 Hz ( 73.3 cm - open) 10 open octave [G..F#] B3 = 466 Hz ( 36.6 cm - open) MELODY 20 keys [G..E] 120 pipes-- 8 gedeckt [G..E] B3 = 466 Hz ( 18.3 cm - stopped) 8 gedeckt, detuned [G..E] B3 = 466 Hz 16 open violin, double [G..E] B3 = 466 Hz ( 36.6 cm - open) 8 open violin, detuned [G..E] B3 = 466 Hz ~ 8 open octave (single) [G..E] B4 = 933 Hz ( 18.3 cm - open) COUNTER-MELODY 0 keys
PERCUSSION 4 keys kapellmeister (no sound) snare drum, beater #1 snare drum, beater #2 bass drum
CONTROLS & STOPS 5 keys
Control precedence: Memory is a slide valve with a pneumatic at each end (as in Mortier). Stop "on" always takes precedence over Declenche (cancel/release).
Vio Violin = open violin double + single gedeckt Bor Bourdon = gedeckt double with one rank detuned Car Carillon = open octave + single gedeckt ViC Violin Celeste = open triple with one rank detuned Dec Declenche (cancel/release) = muted + gedeckt solo (fundamental registration)
TRUTH TABLE of STOPS - across: names of stops; down: registers and ranks
Vio Bor Car ViC Dec
BASS voices gedeckt contra . . . . x x x x x gedeckt octave . . . . . . . . x . . . . ACCOMPANIMENT voices: gedeckt . . . . x x x x x gedeckt, detuned . . . . . x open cello ?? open octave . . . . . . . . . . x MELODY voices gedeckt . . . . x x x x x gedeckt, detuned . . . . . x . . . . . . open violin, double x . . . . . x open violin, detuned . . . . . . . x open octave (single) . . . . . x
TIME DELAYS Bass drum: delay = 85 millisecond (msec) from key "on", duration 106 msec typ. Snare drum: delay = 37 msec from key "off", charging duration 50 msec typical.
Reiteration of a [solo] snare beater is possible with 16th-notes up to MM = 172 if the medium speed is suitably fast. At speed 5.5 cm per second (pneumatic reader system) then MM=150 is fastest possible with 16th-notes.
- end -
-- Robbie Rhodes 27 August 1995 |
(Message sent Mon 28 Aug 1995, 06:43:48 GMT, from time zone GMT-0700.) |
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