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No
Triola Mechanical Zither
& List of Music Rolls
by John Wolff (MMD 000309)





triola1.jpg (20 kb)In MMD 000307 Philippe Rouille asked for details on how to tune a Triola.  Kevin McElhone has asked several times for roll listings for various instruments, including the Triola.  These notes attempt to answer both requests, and to provide some general information about the instrument.

The Triola is basically a conventional 6-chord zither fitted with a roll-playing mechanism.  There is a full-page illustration on page 356 of "Encyclopedia of Automatic Musical Instruments" by Q. David Bowers.  A 6-chord zither has two full chromatic octaves of melody strings (25 notes, C60 to C84), and six pre-set 4-note chords in the bass.  Starting from the left (the long end), the notes for each chord are

Chord 6: Emaj: E64, B, G#, E
      5: Amaj: E64, A, C#61, A
      4: Dmaj: D62, A, F#, D
      3: Fmaj: F65, C, A, F
      2: Gmaj: D62, B, G, G
      1: Cmaj: E64, C, G, C
These are arranged left-to-right in descending order (except for the third string of chord 5), but are actually played right-to-left.  The fourth (right-most) note in each chord is a heavy wound string which serves to locate the chord when playing.  At the most basic level, playing the chord zither involves plucking the melody notes with the right hand and strumming the appropriate bass chords with the left.  A tune sheet can be slipped under the strings to show the pattern of the melody and the numbers for the bass chords.

triolaTuning1.gif (5 kb)
triolaTuning2.gif (3kb)

The Triola is about an inch taller than the typical 6-chord zither (the bass strings are 17-3/8" between bridges), and has only one string per note in the melody (instead of the normal two).  The playing mechanism operates only on the melody strings.  25 plucking fingers (actually small springs) are suspended above the strings, and are continuously vibrated side-to-side by a cam-and-roller mechanism as the handle is turned.  The perforations in the roll allow the fingers to drop down to engage with the strings.  The vibration of the fingers means that the melody plays with a continuous mandolin or tremolo effect.  The Triola operator still has to play the bass chords with the left hand, according to the numbers and timing marked on the roll.  With his third hand, the operator works a lever to control the depth of the plucking mechanism, to act as a volume control.

Triola rolls are 150 mm (5-7/8") wide, on heavy brown paper about 0.005" thick.  The perforations are continuous slots with semi-circular ends.  The slots are 4 mm wide (about 5/32") on 5 mm centres.  (See the illustration in Bowers).  The rolls are wound on wooden spools with thin sheet-metal ends 42 mm (about 1-11/16") diam.  They are easily identified by the word TRIOLA (one word) usually embossed on each end of the spool, or by the chord numbers (1 to 6) printed along the edge of the roll.

John Wolff
Melbourne, Australia
Date: Fri, 10 Mar 2000 15:36:15 +1100


Here is a partial list of about 55 Triola rolls, transcribed from original roll labels.  There seems to be no system or sequence to the numbering -- Wagner, Berlin, Kenbrovin, and Mendelssohn are all in together.
 
No. Title Style Composer
       
1004 Loreley a Rhine Legend Silcher
1018 Muss i denn Volkslied  
1026 O du froeliche, o du selige Volkslied  
1029 The Last Rose of Summer from "Martha" Flotow
1035 Merry Widow Waltz Lehar
1046 O Sole Mio Neapolitan Song Capua
       
1119 The Old Folks at Home    
1125 Rule Britannia    
1126 Home Sweet Homme (sic)    
1126 Home Sweet Home    
1138 Cavalleria Rusticana Intermede Mascagni
1155 Ave Maria   Schubert
1156 Largo   Handel
1169 Nachtlager von Granada Schon die Abendglocken Kreutzer
1170 Tannhauser Einzug der Gaste Wagner
1171 O du mein holder Abendstern from "Tannhauser" Wagner
       
1212 Till we meet again   Harry Claff
1230 Bride's March fr. Lohengrin Wagner
1237 Marionette's Fox-Trot   E.Gar?ri
1238 Blowing Bubbles   Kenbrovin et Kellette
1242 Arizona Fox-Trot H.Darewsky
1250 Barcarolle   Offenbach
1252 Whispering Fox-Trot H.Darewsky
1292 Amo a la America Fox-Trot  
       
1315 Dreaming (Traumwalzer), Boston A.Joyer
1318 Say it with music Shimmy Irving Berlin
1325 Batavia Fox-Trot aus "Der Vetter aus Dingsda" E.Kuennecke
1327 I have a Rendez-vous Fox-Trot E.Berger
1329 Es ist bestimmt in Gottes Rat   Mendelssohn
1333 Was Blumen traumen Walzer Translateur
1365 Stumbling   Albert von Tilzer
1366 Ten little fingers and ten little toes (Down in Tennessee) Ira Schuster and Ed.G.Nelson
1368 Pucker up and Whistle   Blanche Fraklyn
1375 A Young Man's Fancy   Milton Ager
1376 Lovely Lucerne Valse Felix Godin
1380c Three Dances from Henry VIII Torch Dance Edward German
1385 Light Cavalry Overture (Excerpt) Suppe
1397 Harre meine Seele Choral Caesar Malan
       
1410 In der Jungend tut es wohl Stimmungs-Lied R.Steidl
1446 Al Jolson's Big Hit Yoo-Hoo and Delhi Fox Trot Jolson & Rosenthal
1448 Don't Leave Me Mammy and In Sun-Kissed Normandy Fox Trot Santly Conrad & Meyer
       
1497 Parade der Zinnsoldaten Foxtrot Song Leon Jessel
       
1503 Wonderful You Song Gus Edwards
1513 Label Missing    
1520 After all is Said and Done Waltz Dave Ringle
1521 In the old Town Hall Waltz Pease, Nelson & Johnson
1522 When Frances Dances with me Waltz Violinski
1523 Mickey O'Neil (a brother of Peggy O'Neil) Waltz Ed.G.Nelson and Fred Coots
       
1546 Tosca Finale Puccini
1547 Tosca Duett aus dem 1. Akt Puccini
1549 Troubadouri Miserere Verdi
1574 Yes We have no Bananas   Frank Silver & Irving Cohen
1575 "One,Two,Three,Four" Hawaiian Waltz Pierre Blaauw
1577 Somewhere in Naples   J.S.Zamecnik
1579 Molly A Sweet Waltz Song Jack O'Hagan
1580 The Love Nest   L.A.Hirsch


09 March 2000

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